Steve Jobs, 1955-2011

And that's really what it is, isn't it?

We're all sitting here, staring at our iPhones in disbelief. Finding comfort in one of the tens of thousands of songs on our iPod. Searching the internet to share in the mourning en masse on our MacBooks.

After we're done here, we'll edit some videos using Final Cut Pro. While we listen to a playlist we made on iTunes. When we get hungry later, we'll use an app on our iPhone to figure out a good place nearby to eat. When we get home, we'll iChat with our parents across the country and tell them what we've been up to. Hell, even one of our most popular videos took place in an Apple Store.

For so many of us who never even met the man, we can't imagine what our lives would have been like without him.

The real brilliance of Steve Jobs's vision is that he believed we all deserved to live the lives of our dreams, and he gave us as many tangible tools as possible to try and do just that. How many of us began vlogging because we were experimenting with our iSights? How many of us became interested in telling stories because of iMovie? How many of us now see the world refracted through Steve Jobs's lens?

We're not the first to post this video, but its message bears repeating, even on days when it isn't almost painfully poignant:

“Your time is limited, so don’t waste it living someone else’s life. Don’t be trapped by dogma — which is living with the results of other people’s thinking. Don’t let the noise of others’ opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.”

Thanks for believing in all of us, Steve. You have to have known that you made a difference.

(Image via Jonathan Mak)

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We Like The Sklar Brothers

(The Sklar Brothers at My Damn Channel HQ!)

We like The Sklar Brothers.

They're funny. Their podcast is reliably funny. They did a web series with us called Back On Topps, which got us as close to Yankees GM Brian Cashman as we're probably ever going to get:

And this week they put out a new album, "Hendersons & Daughters."

In fact, it's already Number One on the iTunes Comedy chart:

(You guys knocked Daniel Tosh out of the top spot! Thank goodness.)

So check it out. Buy the album. Tell them we said "Thanks for being so nice that one time you came by the office." And always make sure that you shout out loud whenever and wherever you possibly can, "HENDERSON!!!"

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Harry Shearer's "The Big Uneasy" is on iTunes!

Harry Shearer's documentary about New Orleans and the Hurricane Katrina disaster, The Big Uneasy, is now on iTunes!

In fact, Harry knocked Justin Bieber from atop the iTunes Documentary charts:



Congrats, Harry, on beating the Biebs!

And if you're not ready to commit to downloading the entire movie yet, you can always watch the trailer and excerpts right here.

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We Get Around

A busy week here at My Damn Channel HQ. Do you know how hard it is to be in our office, get mentioned on Greg Fitzsimmons' Fitzdog Radio (2/8), and make an appearance in this profile of Grace Helbig of Daily Grace all at the same time?

Not that hard, actually. But not that easy either. Have a Wednesday!

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Rob Barnett and Mark Malkoff on The Adam Carolla Show!

Blogworld is the gift that keeps on giving!

While they were all in Las Vegas to do the closing keynote for Blogworld, founder/CEO Rob Barnett and Mark Malkoff made guest appearances on Adam Carolla's podcast.

Rob and Adam are old friends so naturally they talk about:

• *How they're both probably in higher demand for keynotes than Screech and Carrot Top
• *How they're probably not as in high demand as George Clooney and Brad Pitt
• *How Rob hired Adam to replace Howard Stern
• *How Penn Jillette is ridiculously tall
• *How My Damn Channel and The Adam Carolla Show are going to work together!!!

And, to that last point, we feel like this:



Mark Malkoff's segment begins around 40 minutes in, and Adam promptly calls him "Mark Mackoff."  It's okay, though, they blame it on the bad handwriting of one of Adam's staff.  And then they talk about:

• *How Mark has a Guinness World Record in something
• *How Mark learned you can flush an entire roll of toilet paper down an airplane toilet in 4 seconds
• *How Adam HATES IT WHEN PEOPLE CAN'T EVEN MAKE A SIMPLE QUESADILLA
• *How Mark spent 5 Days In The Bathroom

So listen to the show now! 

Or go to Adam's website to hear it!   

You can even download it directly into iTunes!

Phew.  That was a lot.  Here, have a Rob Barnett and Adam Carolla chaser:

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Big Love from the Big Easy

'On assignment' in New Orleans for My Damn Channel.

If you're a resident here, you have our maximum respect and thanks for giving the rest of us one of the most magical places on earth. If you've visited, keep coming back. If you've never been...make it happen captain. You'll find warm souls, inspired sounds, the finest food, drink, fun and good times you can experience.

We lead with laffs at My Damn Channel. But there's more than comedy beneath your fingertips. This is why Harry Shearer was the first artist we asked to trust us to let him reach you without one drop of Hollywood execu-nonsense in the way.

Harry has lived in New Orleans for over a decade, shuttling from here to LA and the rest of his working world. From The Simpsons, to Spinal Tap, to SNL, to Le Show on NPR, Huffington Post, comedy albums, music, music videos, and more - Harry Shearer is an artist who never stops creating, entertaining, living and giving.

Harry has created many of the most-viewed, most-talked about videos on My Damn Channel. He has two projects in the works that you'll see next.

On June 4th, you'll see "Deaf Boys." Here's a sneak preview along with a note about the original song and short film to come.

This August, Harry will release a documentary feature film he's directed about the city he loves. "The Big UnEasy"  opens on the 5th anniversary of Katrina to tell the story about the un-natural disaster that nearly destroyed New Orleans. The film details why the levees broke, why the city is still in danger, and why Congress and The U.S. Army Corps of Engineers is putting more cities like New Orleans at risk.

Harry will share news and videos about the making of his film over the summer. We presented a series of videos back in 2007, on the 2nd anniversary of Katrina called "Crescent City Stories."

http://www.MyDamnChannel.com/HarryShearer
http://twitter.com/letwits
http://www.HarryShearer.com

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Best of Spärhusen

In the spirit of Tupac and Elvis - the 70's rock group Spärhusen is releasing an album many years after their presumed and mysterious death. 

The 12-track, limited edition album, Best of Spärhusen is now available on iTunes and includes their classic hit Apples and Fish. 

After Olf Nystrom and Gert Forseberg were feared dead following their tragic plane crash in 1974, the world grieved along with the band's one surviving member, Beirget Kattson. A reincarnation of the "almost great band of Sweden" is rising like....what is the name of that bird?

My Damn Channel has exclusive never-before-seen footage of Spärhusen from 1972 with their manager Bjorn Epstein, and the fiercest producer in all of Sweden at the time, Würst Fierren, quite famous for his "whale of sound."

Visit the iTunes Store today to get this existential masterpiece.

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PROCRAST-ERRIFIC

Dobrow's Procrast-errific Web Video Destination

Media Reviews for Media People: My Damn Channel

By Larry Dobrow

Published: May 08, 2008

I spend 37 hours per day in front of the computer and have the attention span of a sugared-up first-grader, so it shouldn't come as a surprise that I inhale a staggering amount of online video. Indeed, as I craft my masterworks of Western thought and struggle to locate that elusive mot juste ("luftmensch"? "jecoral"?), web video serves as the default procrastination apparatus. Mostly my wanderings lead to Springsteen clips, which I then forward to my similarly Jer-Z-fied pals. We've wasted 7,250 hours on low-res 1978 versions of "Prove It All Night" alone.



So no, I don't have a single regular supplier for my video fix, and I'm probably like the vast majority of web monkeys in that regard. For texty information and illumination and whatnot, there are 15 or so sites I'll check out every day. For video, I unthinkingly go wherever my idiot friends point me.


Happily, I've found a procrast-errific web-video destination in My Damn Channel, a better-realized version of the astronomically hyped, Ferrell-and-Apatow-backed Funny or Die. That's not a slap at Funny or Die, so much as an endorsement of the more comically consistent My Damn Channel. It's all well and good that the Ian Zierings and John Mayers of the world have chosen Funny or Die as their preferred venue for gentle image-tweaking, but such lazy bits pale next to the goodies tucked away in each of My Damn Channel's, uh, channels.


Where Funny or Die throws up a bunch of clips and calls it an afternoon, My Damn Channel showcases a range of distinct personalities. Funnyfolk like David Wain, Harry Shearer and Andy Milonakis get online mini-laboratories to call their own, and use them for everything from low-concept weirdness to wry political commentary. No one channel is like the next, though each shares a twitchy, absurdist comic sensibility that should resonate with fans of Andy Samberg's SNL Digital Shorts, "Tim and Eric Awesome Show, Great Job!" and anything involving alumni from MTV's "The State."


My Damn Channel has justly been lauded for the passive-aggressive (and educational!) comic gold that is "You Suck at Photoshop" series and Wain's vigorously quirky "Wainy Days" quest to find his fictional self a gal. The site's less-hyped content -- especially the soap opera spoof "Horrible People" and the self-explanatory "Cookin' With Coolio" -- similarly revels in its own silliness, especially the former's asides about how "a waxed ***hole is a window to the soul."


I also dig Grace, the gal who, for lack of a better way to put it, serves as My Damn Channel's hostess and hype woman. She has the Sarah Silverman I'm-adorable-so-I-can-get-away-with-saying-stuff-about-Hitler-and-weed thing down pat, but doesn't overplay the gimmick -- which makes it all the more rewarding when she sweetly intones "be nice to your mother, because you f*cked up her baby hole." Her presence keeps My Damn Channel from feeling like a guys-only clubhouse, a fate that Funny or Die hasn't been able to avoid.


My Damn Channel even pulls off the nifty trick of being entertaining in its advertising. Don Was' music channel boasts Lincoln as a primary sponsor, for example, but also tapes performances in the grungy "grand showroom of our sponsor, The Furniture Outlet, located in North Hollywood, California, at 13054 Sherman Way ... c'mon down for some great music and some great bargains on love seats and bedroom sets!" A bunch of brands that appeal to homebound drones like me -- iTunes, Wolfgang's Vault, National Geographic Channel -- have been in heavy ad rotation of late, as have web mainstays like Match.com and Peapod. They're all easy fits, just as cellphone tchotchkes and other portable media devices would be. Ads for new movies or records would probably get lost amid all the content, though.


The two potential worries here for marketers? One, that few of the clips are safe for work; and two, that almost none of the humor here is linear, meaning that devotees of Jay Leno and "Two and a Half Men" will furrow their brows in a futile attempt to grasp the punch lines.


In the end, you can easily lose yourself for 45 minutes at a time at My Damn Channel -- in fact, I kinda just now did, courtesy of the Lori McKenna and Jackshit clips on the Don Was channel. I've yet to feel a comparable pull to any other web-video destination not named YouTube, and YouTube's clip quality and smallish viewing window seem primitive nowadays when compared to MDC, Funny or Die, Hulu and the like. If you can visit My Damn Channel without meandering around for awhile, I applaud your self-discipline.

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MY DAMN CHANNEL IN TODAY'S SUNDAY NEW YORK POST

THE NEXT BROADCAST

by Ben Goldstein



March 2, 2008 -- Web entertainment enters prime time, as Internet networks start modeling themselves on real-world broadcastersBY THE TIME you finish reading this sentence, a 15-year-old mall-punk in central Michigan will have clicked on a YouTube video, gotten bored within seconds, and then clicked on another. It's that kind of insatiable thirst for the next bright, shiny Web-thing that's both fueling and challenging an emerging wave of Internet TV networks.



But for these rapidly multiplying entertainment sites that present original videos, usually released on a consistent schedule, it's also their greatest hope. Because although the audience that looks online for entertainment is fickle to the point of brutality, maybe their attention spans are so short because nobody has given them what they want yet.



Two weeks ago, actor-comedian Damon Wayans became the latest high-profile figure to throw his talent behind the still relatively unproven medium of Internet television, as he announced the impending debut of WayOutTV.com. The site will feature sketch comedy bearing the trademark Wayans Family mix of oddball pop-culture parody and provocative social commentary. Though an official launch date hasn't been established, samples are being released weekly at YouTube.com/WayOutTV.

"There is no urban destination online," Wayans says. "Everybody uses YouTube, but you have to dig deep and for a long time to find something that satisfies you. With WayOut, I'm the filter. I'm creating a brand of comedy as opposed to letting everybody just put up whatever they want."Though the comedian admits that building a Web site's infrastructure is new to him, he sounds like a veteran 'Net-geek when he talks about his big ideas, which include using WayOutTV to create viral ads for corporations, and focusing on content for mobile phones.



He'll need those forward-thinking concepts if WayOutTV is going to succeed.



As the Will Ferrell-backed FunnyorDie.com proved, it takes more than a big name to hold the eyes of an online populace in constant search of novelty. Pulling in about 2 million unique viewers per month, FunnyorDie may be a traffic success compared to other top-notch comedy destinations like SuperDeluxe and MyDamnChannel, but after drawing 4.5 million visitors during its April launch, FoD's numbers crashed and have yet to recover.Besides the fact that the site's videos lacked a predictable TV-like schedule, another reason for FunnyOrDie's somewhat disappointing performance could be its insular nature. The old model was to guard your content vigilantly so that it wouldn't fall into the hands of other video-sharing sites, where you wouldn't benefit from the traffic. (If you want to see Will Ferrell have an argument with a foul-mouthed toddler, you have to come here.)



This may have been a mistake.



New networks are distributing their content all over the Web rather than confining it to a single site, but they're doing so in a controlled way so artists' rights are protected. 60Frames.com, which launched its first series in January, follows a studio model in which professional artists are given resources to create videos that are syndicated to sites like YouTube and MySpace.



Shows produced by 60Frames include "WhoWhatWearTV," which has been theNo. 1-ranked fashion/beauty video podcast on iTunes since its debut, and the hilarious Jersey Shore-lampooning "Douchebag Beach" series."We knew there were a lot of talented artists who wanted to work in this space, but they didn't want to just upload their content to the 'Net without any support, or sell their ideas to media companies where they would be forced to give up ownership and control," says 60Frames CEO Brent Weinstein, who previously led United Talent Agency's digital media department. "When we hear an idea that's a good match for our company, we get behind it as quickly as we can, and once we're in business with artists, we give them quite a bit of free reign. We're the most artist-friendly option in the marketplace."



Of course, you might consider bypassing artists altogether.

A totally different (and more conventional) model for Internet TV is exemplified by Joost, a five-month-old service that presents more than 20,000 shows plucked from "real" TV networks such as Comedy Central and A&E. Original programming is a potential goal for the future, but Joost's main focus is on acquiring rights to existing programming and presenting it all in one place for free.But are more channels what people want?Though more than 5 million people have downloaded the Joost software to date, the company's North American GM, David Clark, says that the biggest challenge in running Joost is "helping people find what they are interested in.

"All of a sudden, that "filter" thing that Damon Wayans mentioned is starting to make sense. If you're lost in an abyss of options that aren't directly aimed at you, maybe you're in the wrong place. And Rob Barnett, CEO of MyDamnChannel, is even more critical of the repurposing strategy.

"I think there's a lot of cynicism in this attitude of, 'The kids are watching all this YouTube stuff, so let's go make another buck off the s - - - we already have,' " Barnett says. "It's rehashed, retreaded content that was made for a different medium. I'd rather say, 'Hey, let's blow their minds and give them something they haven't seen before.' "

Barnett managed programming and production divisions at MTV and VH1 for more than a decade before launching MyDamnChannel in July of last year. The site had 1 million unique users in January, and when we spoke with him, it was having its biggest traffic day ever thanks to a Harry Shearer-produced clip that showed candid footage of Ann Coulter and Bill O'Reilly during moments they didn't know cameras were rolling.

Less is certainly more at MyDamnChannel. Instead of a mass of individual videos that require searching, MDC presents eight highly produced channels, created by artists ranging from Harry Shearer to Coolio, which release a new episode every week. It's about as close to an actual TV network as you'll find on the Web, right down to the consistent scheduling, and it runs proudly against the grain of the user-generated content approach (which ManiaTV.com CEO Peter Hoskins colorfully refers to as "loser-generated content").

Like Wayans, Barnett realizes the importance of submitting to a higher power (i.e., YouTube) for exposure and distribution."If you just drop [your content] onto the Internet, you're in the biggest ocean in the planet, and you're lost," Barnett says.

Words of warning for the glut of new comedy-based Internet TV networks trying to follow the throw-it-all-at-the-wall approach set by FunnyorDie. Recent months have seen the launch of MyBlueCollar.com (Jeff Foxworthy's comedy site), NationalBanana.com (Jerry Zucker's comedy site), and the brand-new Comedy.com (Former UPN President Dean Valentine's comedy site). We don't necessarily recommend you visit any of them.Even though the trend is toward outrageous humor, not every Internet TV network goes for belly laughs. One of the most interesting new models is the development of a group of sites or channels that have nothing to do with one another, but are produced with the same aesthetic.

ONNetworks.com presents more than 20 do-it-yourself cooking, decorating, and green-living instructional shows aimed at the young and hip. The sites launched by the year-old NextNewNetworks.com, which is also led by former cable TV execs, have provided definitive destinations for everyone from vintage Corvette enthusiasts (VetteDog.com), to jewelry designers (MetalChik.com), to people who just like cute pets (UltraKawaii.com).

But there's one thing all these sites have in common: They won't ask you to pay a single dime for your entertainment.

With so much content already free on the Web, those who launch Internet TV networks know they have to be a little more creative when it comes to finding revenue streams. Hence, syndication deals, embedded ads, corporate brands integrated into programming and DVD releases.

Ultimately, Damon Wayans places his trust in the opportunity of the unknown that the online wilderness can be tamed and the pioneers of Web TV can eventually learn how to turn a profit.

"I personally feel that the Internet is what cable was 30 years ago," Wayans says. "It's like clay. Whatever you decide to make it, that's what it will become."

Channel guide: SURFING THROUGH the best of web tv

vbs.tv

Concept: Hipster entertainment from the minds that brought you Vice Magazine.

Best Show: "Shot by Kern" gives viewers insight into the artistic process of New York-based erotic photographer Richard Kern and the thought process of his models.

Also Watch: "The Vice Guide to Travel," "Epicly Later'd"

Schedule: More than 30 series are currently in rotation and are usually updated weekly.

NextNewNetworks.com

Concept: An umbrella group of micro-networks aimed at various niche interests.

Best Channel: IndyMogul.com, resources and moral support for DIY filmmakers.

Also Watch: ThreadBanger.com (fashion coverage with a punk rock 'tude), ChannelFrederator.com (animated comedy featuring Dan Meth's brilliant "The Meth Minute 39" series)

Schedule: Generally in the video blog format, each of NNN's subnetworks are on their own schedules, with daily or weekly updates.

SuperDeluxe.com

Concept: Boundary-pushing alt-comedy videos and social networking.

Best Show: "The Professor Brothers," wherein two bald, pompous community college lecturers try to make sense of the world.

Also Watch: "All My Exes," Norm MacDonald's "The Fake News"

MyDamnChannel.com

Concept: An Internet entertainment studio focusing on eight professional-quality channels produced by well-known artists.

Best Show: In "Wainy Days," writer/director/ex-State member David Wain repeatedly and hilariously fails to find his soul mate.

Also Watch: "Horrible People," "Big Fat Brain"

Schedule:

Monday: new episodes of Wainy Days, Horrible People

Tuesday: Harry Shearer

Wednesday: Andy Milonakis, Cookin' With Coolio

Thursday: Don Was, Carnival of Stuff

Friday: "Big Fat Brain"

ONNetworks.com

Concept: Unconventional instructional shows for a range of interests, all produced in HD.

Best Show: "Dinner with the Band," in which chef Sam Mason hosts his favorite bands for an evening of cooking, conversation, and live performance.

Also Watch: "Backpack Picnic," "Stump the Chef"

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